Hoop Move Names

topic posted Sun, May 11, 2008 - 4:03 PM by 
Hello Fellow Hoopers.

I would really like to see hooping achieve a proper status in the world of sport, gymnastics, and who knows maybe even the Olympics one day.

The main problem I see at the moment is that so many people give different names to the same moves. In Ice Skating a triple Lutz is a triple Lutz, and a double Axel is a double axel. Simple.

I suggest we should have set names for set moves.

Obviously if someone invents a new move then it can carry their name, but this should be ratified by a world body of hooping !!!

At least by telling their students the "official" name of the move they are helping to standardise our "sport".

The main problem I see is different people at this stage trying to claim a certain move was invented by them.

One worry at the moment is that if you use a certain name for a move you may be infringing someones copyright on that name. Maybe they have not got copyright on the move itself, but they have on a certain specific name.

There is nothing wrong with someone saying - This move is known worldwide as "The Pizza Toss" but I like to call it "Helicopter".

(Oops, am I allowed to use the name Pizza Toss?) :-)

So how can you tell people that you perform a certain move without using a copyrighted name? The only way I can see is if all moves to date are given "generic" names that can be used by anyone.

I have taken both BodyHoops, and HoopGirl training and I know that Diana Lopez and Christabel Zamor have different names for moves that are basically the same. So I find it confusing knowing which name to use at a time, (much to the Amusement of Diana Lopez at the recent BodyHoops training).

I am now looking to attend HoopGirl's level one training again, and immediately follow it with level two at the end of July this year, so I feel confusion will still reign, for me anyway.

What does everyone else think? Do you think having set names would help? Do you think Hooping can, and should become "standardized". Can hooping become a world class recognized "sport"

I look forward to your replies.

John
posted by:
  • Re: Hoop Move Names

    Sun, May 11, 2008 - 4:24 PM
    Hooping is already a very real part of rhythmic gymnastics. It is even in the Olympics as such. Not that I dig making hooping a "competition". One thing I like about hooping is that it is a singlular activity and not one where people generally try to best each other.

    I am well aware of the "name" controversies. At the Hoop Convergence, which occured about a month ago, about 50 hoopers from all over the US and Canada got together and began to chronicle moves and create a thesaurus of names. We also set about agreeing on common names that several of us plan to use in our teaching. These names will be free, open-source and available to everyone. No one will "own" them. We spent an entire afternoon shooting video of each move paired with the common name that most people agreed upon (though we plan to share all the names so there will be no "right" or "wrong" names). We didn't even come close to finishing but we achieved a lot. Two archivists are now working with this videotape. I have no idea how long it will take to share this with the larger community or how exactly we'll do it. It's still in the early stages and it's a huge project, but, when it is complete, we will share it openly.

    Our purpose is to not only create a shared nomenclature but to avoid some of the arguments that are starting to happen in the world of hooping. I'm sure we will be discussing this more on the Hoop Convergence tribe if you'd care to join that tribe and join in on the discussion.
    • Re: Hoop Move Names

      Mon, May 12, 2008 - 12:27 AM
      The timing of this is so funny - when Bax was out in SF, a group of us discussed the same issue! Eddie (of HoopPain) and I talked about creating a website with a list of names and videos demonstrating each move. I'd love to put my OCD to good use and help out with this!
  • Re: Hoop Move Names

    Mon, May 12, 2008 - 2:16 AM
    I'm with caroleeena. I don't want to make hooping competitive. For me hooping is about empowering people to feel good about their bodies, how they work and move and how beauty and strength comes from a centre point within.

    I see nothing wrong with trying to find standardized names for moves so that when you are chatting online you all are singing from the same song sheet, as it were, but I don't see it as vital for hooping as a whole, because whatever the name of the move if it brings someone joy to do it then that's all that matters to me.

    For me hooping is a way to spread joy and happiness. Hula hoops never fail to spread happiness. Just take a hoop to the park and see how many smiles and conversations you get into because of your hoop. If you make it competitive I can see some of that joy being squeezed out of it. I'm not a huge fan of standardisation of moves, where if you do a move one way it would be considered correct or if done a slightly different way it would be considered wrong. That's not my idea of spreading joy, that is my idea of straight jacketing people.

    In general I have to say I like things the way they are. People expressing themselves with a ring of plastic in their own way.
    • Re: Hoop Move Names

      Mon, May 12, 2008 - 8:39 AM
      Not to stir up controversy ; >, but I want to say a word or two on behalf of those hoop companies who have developed exhaustive hoop curricula, including specific terms for moves and techniques, and have contributed significantly to the overall learning curve in hooping from which so many new hoopers now benefit by sharing their insights from several years of "pioneer" hooping. BodyHoops and HoopGirl are two such companies, and I feel that they deserve to have their hoop curricula protected in the marketplace. Both companies have invested years of their lives and much of their own money developing teaching techniques and teacher trainings, complete with move glossaries. I feel that they are entitled to protect the names that they use in their classes and trainings.

      There are many hoopers out there who teach hooping to supplement their incomes or even in some cases support themselves, and I believe strongly that anyone teaching hooping (as opposed to the casual hooper) should either a) use their own original hooping vocabulary, b) use the hooping vocabulary of whatever teach training program they have been certified to teach, or c) use the yet-to-be-published open-source move glossary Caroleeena referred to. This is a wonderful idea and will be a great resource for hoopers who either don't teach or need a teaching vocabulary but have not been able to do a hooping teacher training for whatever reason.

      I am not in any way standing against the open-source, communal-sharing dimension of the hoop world. I am simply pointing out that there is an additional dimension that must be considered and respected. I fully disclaim here that, being a part of a hoop company myself which is known for its many distinctive and original hoop techniques and terms (HoopPath, which trailblazed the hooping world with such techniques and terms as "Break," "Reverse," "First/Second Current," "Sun" "Moon," "Vertical/Horizontal Rolling," and "Earth/Sky Angle" to name a few), I am not a totally objective bystander. In light of the original question, however--"Why can't we just have one hooping vocabularly?"--I think it's important to reflect on how that came to be. There was a much smaller hoop world once, in which a few folks created and spread hoopdance as we now know it, and it's important that we respect those original contributors, as well as those who continue to innovate and bring heretofore unimagined new techniques into hooping.
      • Re: Hoop Move Names

        Mon, May 12, 2008 - 9:20 AM
        I want to be clear -- I'm not suggesting that people do not honor the names other teachers have developed for their curriculums. We certainly are in this project. But I am suggesting that the community at large needs to have a shared vocabulary too. The key word being "shared". If it ever gets where all the moves belong to a few people, that will stifle diversity and creativity and hurt hooping and hoopers in general. Frankly, it baffles me why people would not WANT their names to be the common names. I would be honored to know that I had been a trailblazer and founder of a hoop lexicon. I believe that sharing would bring these innovators more students, more publicity, more name recognition, more respect and more of all good things. But that's me. It also seems to me that if other teachers do not want their move names included in a lexicon of this sort, well, they'll be left behind. Open source sharing will spread and become the norm because it is "allowed" to spread.

        Nonetheless, we need this lexicon. This question has been coming up for at least two years in this tribe alone (and I've read references to people trying to do this even before that). I know at one point Harold Hooper tried to create a lexicon but for some reason that didn't happen. Perhaps because it was just one person instead of many trying to do it.

        None of the existing curricula are exhaustive anyway. We chronicled dozens of moves that I have not seen named by any other curriculum. The potential for moves and names is almost limitless. I think even people with their own curricula could benefit from this hooping lexicon. It is certainly intended to benefit everyone!

        On another note -- There has been a lot of discussion about teacher trainings and certifications lately but I would like to point out that a lot of very good teachers never completed a teacher training, including me, Baxter, Anah, Stefan, Jewels, Spiral... The list goes on and on. This whole idea of "certification" is very new. I would hate to see it squeeze out the teachers who have studied and learned and created curricula on their own -- just like the people who are selling certifications now once did. I do believe in learning in every way you can. Teacher trainings are one way to learn. There are other ways too.
        • Re: Hoop Move Names

          Mon, May 12, 2008 - 9:50 AM
          I don't believe, and I don't think I said, that having the lexicon would not honor the names other teachers have developed for their curricula. I think they are both necessary and useful. What I'm trying to bring folks' attention to is the unsanctioned appropriation of such terms and techniques, that (as we've already seen) can easily happen innocently. I don't even know whether different hoop teachers would want to have their terms included in the open-source lexicon or not, my point would be that they should be asked first (if they are clearly the source of the technique/term)--maybe some of all of them would be delighted to have their terms included--or maybe not. It would only really become hairy if someone innocently/unknowingly, or knowingly, used another teacher's terms without permission on some large-scale project like a DVD. It could pose some very serious and unwanted problems for everyone. What I am saying is more like a PSA.

          And I definitely am not suggesting that a hoop teacher has to have a certification in order to teach--if I believed that, I never would have committed to studying for the last two years with Baxter. I was only talking about the use of specific terms. Obviously, all of the most experienced hoop teachers out there didn't complete any teacher trainings-- in many cases, they created their own curricula. I stated more than once in my post that new hoop teachers' creating their own new innovations and terms was one of several desirable outcomes. Another one was teachers using the lexicon you described. What I am trying to bring attention to is that for certain uses (large-scale classes, teacher trainings, DVDs) there are established and copyrighted teaching materials in existence that could be infringed upon were someone to appropriate them unknowingly. If everyone has the attitude that it doesn't matter what the source of the information is, it could cause problems for all hoop teachers out there. This is just one easy way of keeping peace in the valley. If you have learned techniques and terms through a DVD, teacher training, or workshop, and are intending to use those terms/techniques in your own teaching, make sure that you have permission to do so.
          • Re: Hoop Move Names

            Mon, May 12, 2008 - 9:57 AM
            I hear ya Ann. I'm not implying that you're implying and so on and so on... I just wanted to be clear. These issues are touchy and I don't want to stir controversy. In fact, the reason we're doing this is to avoid controversy and enable and empower everyone. So I just wanted to reiterate that.
        • Re: Hoop Move Names

          Mon, May 12, 2008 - 10:00 AM
          Thank you Ann, for your supportive comments towards teachers who have spent a LOT of time developing curriculum and have made hooping a central part of their lives for many years now. I'm one of those people (BodyHoops), with my basic instructional DVD being almost 3 years old now (over 4000 copies sold worldwide) and my teacher training program will also be 3 years in the happening this November (over 150 people have participated to this point), so NO its not so new. I'm also one of those teachers who does not mind sharing the names I have developed from the dvd or training. So, hopefully my input will be included in this lexicon that is being created.

          I also want to say thank you to those who are working and putting this lexicon together for the whole community. I know that this is no easy task and will require a lot of time and energy to do this in a way that will take all of these things into consideration.

          Finally, I would also like to add again that while teacher certification is not for everyone, many do benefit from taking a training. There are also many wonderful teachers / hoopers (such as those listed above) that have not developed a curriculum per say but have gone on to teach hundreds of people how to hoop and so a certified training does not discredit their wonderfulness. I think its important to respect where we are all coming from...and its great to have options to choose from.
          Prior to my hoop dreams, I was a Jr. high and elementary school teacher for 10 years. Every summer I would take teacher trainings to spice up my own teaching curriculum and see what the latest and newest teaching techniques available. Its considered professional development, even though I knew how to teach and had been doing it, I found it very valuable to continue teacher trainings throughout those years. So, with this in mind I developed the Bodyhoops program.

          I would like to be involved in this process of creating a lexicon and if that's by offering the work that I have already done then I am happy to do so...

          thank you.
          • Re: Hoop Move Names

            Mon, May 12, 2008 - 10:27 AM
            I am so happy to hear this Diana! Muwah!!! Right now Stefan, of GrooveHoops, has the video we've already shot. We were going to post that along with all the names we could come up with for each move, starting with the one that seemed to be the most "common" name. Silverstar has offered to help with this project and I'm happy to have more help. It's a huge undertaking!

            And, yes! I agree! Learn from as many teachers as you can! Variety is the spice of life. I learn something from every teacher a study with as well as every student I teach. One thing we definitely learned at Convergence is that everyone has something to teach. Everyone.
            • Re: Hoop Move Names

              Mon, May 12, 2008 - 10:38 AM
              I'm feeling like Eeyore here--let me just say again that I think the lexicon is a fantastic idea and I'm sure it will be helpful and empowering to many people!
      • Re: Hoop Move Names

        Mon, May 12, 2008 - 9:51 AM
        Just a question regarding "breaks" and "reverses". Are these names really trademarked by The Hoop Path? I'm asking because I know that other long time hoopers (Anah among others) have been doing breaks and reverses before the Hoop Path became well known...what were they calling it back then or even now? I understand specific names being trademarked (bootie bump etc for Hoopgirl or "sun", "moon" etc for HP) which add some flair to a move and I respect that but I have to say I have issues with words like "breaks" and "reverse" being claimed as to me, they sound like everyday terms one might use to describe an action... but maybe it's just me and my lack of English vocabular!
        I'd like to know what they are called by others?

        Love the idea Caroleeena!
        • Re: Hoop Move Names

          Mon, May 12, 2008 - 10:01 AM
          Many of the moves and names that I use in my teaching come from poi. Breaks, reverses and stalls are all used in poi and are called just that. I have a video that is five years old that has those terms for those moves.

          It's funny, in the poi world, this kind of thing doesn't come up. No one trys to own moves or names there. Not sure what the difference is. Perhaps because poi grows out of an ancient tradition of the Maori people. Maybe I'll write Nick at PlayPoi and ask him. He's one of the community leaders that I learn a lot from and he shares in a very open source kind of way.
          • Re: Hoop Move Names

            Mon, May 12, 2008 - 10:13 AM
            I'm wondering if there are any other groups for sports or dance that trademark moves or names. Is hooping the exception or is this a commonplace occurence?
            • Re: Hoop Move Names

              Mon, May 12, 2008 - 10:30 AM
              Wonton, not that I can really answer your question, but just to explore--hooping (at least, hooping as we know it), to me, seems categorically unlike most dance and sport forms in that it has developed rapidly within a very small group, as opposed to over generations within an established cultural context (they way, for example, the tango, or football, evolved). Hooping, it seems to me, has more in common with Zumba (a trademarked dance-exercise form--built on principles of several major Latin dances--that was brought to the US in 1999) than it does with the tango.

              Hooping as we know it was not developed by one person the way Zumba was, but it was a small handful of people who really set the movement in motion as it were. I feel that these people (like Diana and like Anah) each of whom is a common ancestor--and usually a direct common ancestor--of almost every hooper today, their innovations should be recognized and respected for having given birth to hooping as we know it today.

              I do think that hooping is an exception because there are very few (if any) exercise forms that have developed this way.
              • Re: Hoop Move Names

                Mon, May 12, 2008 - 11:56 AM
                I'm not sure if I agree that hooping is unlike other dance or sport forms. Hooping has been a part of rhythmic gymnastics for decades and decades. At least since the 1950's. In rhythmic gymnastics the hoop is used as both a dance prop AND a sport prop. In fact, we would probably benefit from consulting some gymnasts to learn what they call things.

                I can't speak to Zumba and Nia. I'm not very informed about them but it seems to me that they are trademarked because they draw upon one person's vision and the integration of a lot of different forms of movement. They wouldn't just spontaneously exist if it weren't for the person who created them. Not so with hooping. Hooping is based upon one form of movement and anyone could stumble upon it given a hoop, enough time and the inclination. In fact, many of us have. Many of us have come to the same understandings independent of each other, as was pointed out in that earlier thread Ann sited that Spiral started.

                I think this idea of "ownership" and "trademarking", well, these grow out of our capitalistic society. They exist because of commodification. We want to "own" something so we can sell it and no one else can. Feelings of ownership can lead to acquisitiveness, greed, entitlement and fighting. Even war. What has happened in our country since the 1980's or so is the perfect example of why unchecked capitalsm is bad for the entire world. It is the belief that a few people who are doing something for money will do what is in the best interest of everyone, when, in fact, they are doing it for the money. We don't see people in the oil indusry doing what is in the best interest of everyone. That almost never happens in capitalism. I can't think of a single example. I think it's time for a new model.

                I don't want to see people commodify hooping. I don't think that's in the best interest of hooping or hoopers or the world at large. I don't have a problem with people making money teaching what they love but when you try to deny other people the right to teach the same thing, that doesn't seem right to me.
                • Re: Hoop Move Names

                  Mon, May 12, 2008 - 12:07 PM
                  But making money teaching IS commodification, and I think that using others' highly specific insights without regard for the source is disrespectful as well as a form of stealing.

                  However, obviously if you arrived at an insight independently, which I know that you have, there is no conflict with teaching said insight as you understand it.

                  Where the slippery slope comes in is when someone pirates others' ideas indiscriminately for monetary gain, which is the real expression of the greed you reference. Trademarking and copyrighting are about protecting yourself from such piracy.
                  • This is the maximum depth. Additional responses will not be threaded.

                    Re: Hoop Move Names

                    Mon, May 12, 2008 - 12:31 PM
                    It seems to me that with teaching, the thing you have to sell is your ability to teach. It's not about hooping, it about the ability to teach. A name is not the same as being able to verbalize and demonstrate and help people integrate a concept. I think we are better served to remember that what we truly have that is marketable is our ability to help others learn. Not everyone can teach. Even if you have someone else's names and curriculum, it doesn't mean that you can pass it on in a way that students will learn it. In the end, I think THAT is what we have to sell. Our personal magnatism and charisma. And these things can neither be commodified, boxed or stolen. They are part of us on an individual level. I think that is where our true power lies and if we can gently place our attention there, none of this other stuff will matter.
                    • Re: Hoop Move Names

                      Mon, May 12, 2008 - 12:37 PM
                      I totally agree with what you say here, Caroleeena, but still believe that there is a slippery slope involved, because people can and do profit (in some cases, hugely) from ripping off others' ideas, and I don't feel there is anything wrong with protecting oneself from that, particularly if you are putting your material out there into a much larger forum, which is what the HoopPath is about to do with the new DVD.
                      • Re: Hoop Move Names

                        Mon, May 12, 2008 - 1:05 PM
                        So if you feel the need to protect yourself, if you fear that others will rip you off, well, that feels like a pretty crappy place to live. How exactly do you go about protecting yourself? Not make the information available in the first place? Sue everyone who uses a phrase that you define as yours? Live in a constant state of "on the lookout" for infringements? I know some folks have started using these methods to try to "protect themselves" but from what I can tell it is not protecting them. It is not only not fixing the situation, it is generating a lot of bad publicity for them and making them miserable. It is very fear based. I'm just not sure that that's the best way to look at things.

                        The Buddhists would say that if you offer all you have freely, no one can steal from you. I find myself pondering their lessons about non-attachment. I know it's a challenge to live this way, especially in our capitalistic society, but I still think it is a good ideal to aspire to.
                        • Re: Hoop Move Names

                          Mon, May 12, 2008 - 2:02 PM
                          I don't dispute your words as far as ideals to live up to, Caroleeena, but allow me shift to the focus a bit to clarify what I'm talking about.

                          Imagine this: Baxter, out of a sense of idealism, decides not to copyright any of the terms and techniques of the HoopPath. He puts out his DVD. A couple of months later, Gaiam (a large fitness/wellness corporation with lots of money to spend) puts out a Hoop-based exercise DVD by "Jane Doe Hoop" which is overnight widely available at any Wal-Mart in the nation. This DVD is plastered with stickers that say: "Find pe*A*ce! Learn your Ritmo! Practice One and Two-Tree Hooping! Learn Two-Bird Hooping!" Since Baxter has no copyright, his ability to counter this egregious plagiarism is severely curtailed. But I think anyone would agree that this is a blatant rip-off, and in some way, wrong.

                          However, if he has copyrighted the specific terms that he coined, he is much less likely to be in such a compromised position.

                          What might get lost in the discussion is that copyright and trademark laws exist not solely as the recourse for evil corporations to insulate themselves, they exist in equal degree to protect us, the little guys, FROM corporate evil.

                          I personally can't see the HP becoming preoccupied with (let alone interested in) policing every single copyright infringement, i.e. "suing everyone". As you point out, it's exhausting, expensive, and doesn't win you many friends. Obviously the HP has not gone the route of not making the information available in the first place--we've traveled all over the country teaching and that's not going to stop anytime soon. Also, we've put the information into a DVD format which certainly risks copycatting. So I don't feel like I'm living in fear.

                          A reasonable course of action, if you are the author of some original material and you are making that material available to a wide public, is to avail yourself of the protection of existing trademark and copyright laws, if only to shield yourself from the rapacious corporate machines who are, in fact, out there. We would be foolish to pretend otherwise.
                          • Re: Hoop Move Names

                            Tue, May 13, 2008 - 9:00 PM
                            Can I just say that it rules to read a very involved, yet respectful discussion on the internet?

                            This is the reason I hang with the hoopers.
          • Re: Hoop Move Names

            Mon, May 12, 2008 - 5:21 PM
            I found the poi referance very interesting too. I think the main difference seems to be that poi moves tend to be discribed in poi language rather than have names for each move. also each group of moves has a name for example
            Weaves;
            3 beat weave
            5 beat weave
            btb weave (behind the back)
            5 beat weave with isolation.

            This is also this same when you look at juggling, acrobalance and lots of other circus/manipulation arts.

            I think that it is important make sure that the names stick to the most discriptive description of the move like juggling and poi. I know that many times i have been reading post where people are asking for help with a move but if they use a term like Sun or Moon i'm gonna have no idea what they are talking about where as if the name was at least discriptive then i could maybe work it out and give them some tips.

            Also i don't think we should get two caught up on what is the "right" name for each move. Using acrobalance as an example, many different areas of the world use different names for common acro stunts yet when we get together to jam we still manage cope with peoples different names for things. Maybe if we create a dictionary of moves we could include all the common names for each trick? this way it would not step on any toes and there would be no "proper" name that one group of people decides on.
        • Re: Hoop Move Names

          Mon, May 12, 2008 - 10:06 AM
          As far as Baxter knows, Martine, funky hooper Dizzy Hips was known to reverse the hoop's current way back when (over 5 years ago, in the early days of hooping), but we don't know of anywhere that he referred to it as "reversing." Baxter (as far as we know) came up with the terms "breaking" and "reversing" to describe these related actions, and found succinct ways of teaching these moves as an element within hoopdance (as opposed to circus hooping). They are not trademarked. They are copyrighted as text/written material.

          Baxter has reminded me that these discussions have come up before and have tended to get heated. I do not wish that. I just want to bring attention to something that could conceivably bring a headache to hoop teachers down the line. This is meant to be a PSA, not an admonishment.
          • Re: Hoop Move Names

            Mon, May 12, 2008 - 10:09 AM
            I didn't know anything about the poi terms and I'm quite sure Bax didn't either. It would be interesting to know how this tends to work in poi community (which, isn't it considerably older than hooping--at least, hooping as we know it? Wasn't poi practiced and handed down through generations--for some reason I'm thinking in tribal communities in New Zealand? Why do I have that association?)
            • Re: Hoop Move Names

              Mon, May 12, 2008 - 10:11 AM
              Oh, yes--now I see--the Maori. I would think that has a lot to do with why the terms and techniques are not contested--because they were already established in another context.
              • Re: Hoop Move Names

                Mon, May 12, 2008 - 10:35 AM
                Well, yes and no. Poi spinning today bears very little resemblence to poi spinning in the Maori tribe. They use the poi differently and they never light them on fire. In fact, poi's main purpose is story telling, followed by dance, followed by training warriors who used to fight with a short sword. It's hard to follow how poi got to be what it is now. Many people credit Thailand. And I, personally, think it was Fiji that first said, "Let's set those suckers on fire!" But things like flowers and blindfolded poi spinning and 5, 7, 9 beat weaves, those are definitely not Maori concepts.

                I wrote Nick and asked him for his input. I'm going to write a few of the groups in Austraila and New Zealand too. I'm curious to see if things like this ever come up in that community and how they resolved them. To me, moves are like dance moves. They belong to everyone. Curriculum though! That is another matter! That is a teacher determining the best way to order a teaching for the most effective passing on of information. There will be definite cross-overs (for example, we all start on the waist) but one thing we discovered at the Convergence is there is a lot more diversity and flavor in curriculums than I think any of us ever dreamed! (Which makes me so happy! I tell ya, people, it was so cool having all those amazing teachers and hoopers together in one place to learn from!)
                • Re: Hoop Move Names

                  Mon, May 12, 2008 - 11:14 AM
                  I understand why names would be trademarked. It makes sense as far as curriculums go. However, I totally agree with you about moves belonging to everyone. I can't imagine the strife that would ripple through the community if trademarking the actual movements ecame the norm.
                  • This is the maximum depth. Additional responses will not be threaded.

                    Re: Hoop Move Names

                    Mon, May 12, 2008 - 11:23 AM
                    To be clear, again: trademarking movements is not at all what I was trying to bring up. I am talking about teaching hooping techniques using specific terminology. I've tried to make this clear: I'm ONLY talking about these terms and techniques within a context of teaching hooping professionally (i.e., for money). Which is a related but different world.

                    I realize that you understand this difference, Wonton. I'm just concerned that people breezing through the thread won't! This is a very very combustible topic as we already saw 2 years ago, on this thread: hooping.tribe.net/thread/f4...7d61c2d171 which was Spiral's very generous acknowledgment of Baxter's specific contributions to hooping.

                    I know that some people have very strong feelings about the whole universe of earning money through the hoop in any way. However, MANY of us do just that, in various ways, and there are responsibilities that come with that privilege.
                    • Re: Hoop Move Names

                      Mon, May 12, 2008 - 11:41 AM
                      Sorry, Ann. I tend to be a little hesitant to post sometimes because even though I've been hooping a couple of years I still feel like a naive newbie around you pros. :) I don't mean to direct the conversation in a way it was not intended to go. I'm trying to learn all of your perspectives and weigh issues like this out in my mind. I completely agree with you about the hooping techniques and specific terminology. I have utmost respect for you all and realize that I probably can't fathom all of the different dimensions of the problem. I don't want to step on any toes or ruffle any feathers. These are tricky issues to say the least.
                • Re: Hoop Move Names

                  Mon, May 12, 2008 - 11:50 AM
                  hee hee. I'm not surprised to see this discussion happening, I think every skill-toy community has had it in some way, with varying levels of intensity. This *has* happened in the poi world...I remember rather lengthy discussions on Home of Poi about different types of tangles, and differentiating hyperloops versus airwraps...and are they "compound circles" or are they "flowers" and on and on. I don't really keep up on new developments in poi anymore, but I have been spinning poi for twice as long as I've been hooping and even in my short time being "on the scene" I've seen this conversation come up with poi, and staff (I don't staff but staffers are always around) and contact juggling. It's probably happened with yo-yo and other skill-toys too.

                  Much of what's considered "modern poi" (as opposed to the traditional Maori practice) was actually derived from the circus discipline of club-swinging. Many poi moves are direct translations across props and kept the club-swinging terms -- waist-wraps and fountains being two that come to mind immediately. And also the concept of "beats". There has also been some cross-over from glowstringing -- spiral wraps being a prime example of a poi move that came from that world and kept the name. So much of the nomenclature came from the traditions and movements from which it was derived...a lot of the newer stuff that's being developed now (from my outside perspective) seems to be named purely descriptively with a quasi-scientific/physics oriented flare. Sometimes the person who came up with it calls it something and it sticks, but in other cases the person who first explored the technique and called it one thing (Nick and compound circles) saw the community almost en masse take up another term (flowers).

                  While I do see the usefulness and even need for those who have developed their own curricula to come up with their own naming, for the sake of an open-source community-based (as opposed to market based) nomenclature, names that are pretty much straight-up descriptions of what's going on seem to work best. Sometimes a more poetic name still describes the move -- to stick with poi analogies, butterflies and flowers are good examples of those.

                  From what I've seen in the poi world, when it comes to naming, it's the geekiest of the geeks that tend to settle it. ;p Standardization really does benefit everyone and helps us talk to each other. I have every confidence the hoop community will settle into common terms... we're just at that stage of our growth is all.